

Separate the subject from the distance.
A fine veil in the far trees makes the space behind a rider feel deeper. Shallow ground fog can connect a subject to a landscape, while a near-lens mist gives the edge of the frame a softer foreground. The Fog & Haze folder includes these different placements rather than a single full-frame wash.
Keep the closest details clear and let the mist build farther into the scene. Start with a low opacity and mask the subject back through the layer. This is useful when you want a quieter, more spacious image without changing the photograph’s central subject.





